from the essay introduction: "Like the literary essay (Blasted Tower) this kind of making falls between two receptions. One reception is an understanding of the nature of reality in light of its telling my early history. The other receiving is a resistance to its own “telling” into any reality via “hardened,” literary edges. I am naming the entire process ‘chaotic’ so as to dispense with limitations the drawings always process as picture-making. These are serial, dis-catenated, non-replicated pieces—and yet they retain their surface as the moment of em-picturing something other than that surface."
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